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Tenth of December

Stories

ebook
1 of 1 copy available
1 of 1 copy available
NEW YORK TIMES BESTSELLER • NATIONAL BOOK AWARD FINALIST • NAMED ONE OF TIME’S TEN BEST FICTION BOOKS OF THE DECADE • NAMED ONE OF THE BEST BOOKS OF THE DECADE BY ENTERTAINMENT WEEKLY AND BUZZFEED • NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW
One of the New York Times’s 100 Best Books of the 21st Century
A BEST BOOK OF THE YEAR: People, The New York Times Magazine, NPR, Entertainment Weekly, New York, The Telegraph, BuzzFeed, Kirkus Reviews, BookPage, Shelf Awareness
Includes an extended conversation with David Sedaris

One of the most important and blazingly original writers of his generation, George Saunders is an undisputed master of the short story, and Tenth of December is his most honest, accessible, and moving collection yet.
 
In the taut opener, “Victory Lap,” a boy witnesses the attempted abduction of the girl next door and is faced with a harrowing choice: Does he ignore what he sees, or override years of smothering advice from his parents and act? In “Home,” a combat-damaged soldier moves back in with his mother and struggles to reconcile the world he left with the one to which he has returned. And in the title story, a stunning meditation on imagination, memory, and loss, a middle-aged cancer patient walks into the woods to commit suicide, only to encounter a troubled young boy who, over the course of a fateful morning, gives the dying man a final chance to recall who he really is. A hapless, deluded owner of an antiques store; two mothers struggling to do the right thing; a teenage girl whose idealism is challenged by a brutal brush with reality; a man tormented by a series of pharmaceutical experiments that force him to lust, to love, to kill—the unforgettable characters that populate the pages of Tenth of December are vividly and lovingly infused with Saunders’s signature blend of exuberant prose, deep humanity, and stylistic innovation.
 
Writing brilliantly and profoundly about class, sex, love, loss, work, despair, and war, Saunders cuts to the core of the contemporary experience. These stories take on the big questions and explore the fault lines of our own morality, delving into the questions of what makes us good and what makes us human.
 
Unsettling, insightful, and hilarious, the stories in Tenth of December—through their manic energy, their focus on what is redeemable in human beings, and their generosity of spirit—not only entertain and delight; they fulfill Chekhov’s dictum that art should “prepare us for tenderness.”

GEORGE SAUNDERS WAS NAMED ONE OF THE 100 MOST INFLUENTIAL PEOPLE IN THE WORLD BY TIME MAGAZINE
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    • Publisher's Weekly

      Starred review from November 5, 2012
      The title of Saunders's fourth collection doesn't reference any regularly observed holiday, but for the MacArthur-certified genius's fans, a new collection, his first in six years, is a cause to celebrate. Yet the 10 stories hereâsix of which ran in the New Yorkerâmight make readers won over by earlier, irony-laced absurdities like Pastoralia's "Sea Oak" or corporate nightmares like "CommComm" from In Persuasion Nation question whether they know Saunders as well as they think they do. Yes, "Puppy" is about a maniacally upbeat mother on a "Family Mission" to adopt a dog only to discover the dog owner's son chained to a tree in the backyard "via some sort of doohicky." Yes, "Escape from Spiderhead" is about evil experiments to make love and take love away using drugs with names like Darkenfloxxâ¢. But readers expecting zany escapism will be humbled by the pathos on display in stories like "Home," where a soldier returns to his humble origins. "Victory Lap" features a disarming case of child kidnapping, and "The Semplica Girl Diaries" is a heartbreaking chronicle of two months of changeable fortune in the life of a lower-middle-class paterfamilias of modest expectation ("graduate college, win Pam, get job, make babies, forget feeling of special destiny"). Eventually, a suspicion creeps in that, behind Saunders's comic talents, he might be the most compassionate writer working today. Agent: Esther Newberg, ICM.

    • Booklist

      Starred review from December 1, 2012
      Saunders, a self-identified disciple of Twain and Vonnegut, is hailed for the topsy-turvy, gouging satire in his three previous, keenly inventive short story collections. In the fourth, he dials the bizarreness down a notch to tune into the fantasies of his beleaguered characters, ambushing readers with waves of intense, unforeseen emotion. Saunders drills down to secret aquifers of anger beneath ordinary family life as he portrays parents anxious to defang their children but also to be better, more loving parents than their own. The title story is an absolute heart-wringer, as a pudgy, misfit boy on an imaginary mission meets up with a dying man on a frozen pond. In Victory Lap, a young-teen ballerina is princess-happy until calamity strikes, an emergency that liberates her tyrannized neighbor, Kyle, the palest kid in all the land. In Home, family friction and financial crises combine with the trauma of a court-martialed Iraq War veteran, to whom foe and ally alike murmur inanely, Thank you for your service. Saunders doesn't neglect his gift for surreal situations. There are the inmates subjected to sadistic neurological drug experiments in Escape from Spiderhead and the living lawn ornaments in The Semplica Girl Diaries. These are unpredictable, stealthily funny, and complexly affecting stories of ludicrousness, fear, and rescue.(Reprinted with permission of Booklist, copyright 2012, American Library Association.)

    • Kirkus

      Starred review from October 15, 2012
      A new story collection from the most playful postmodernist since Donald Barthelme, with narratives that can be enjoyed on a number of different levels. Literature that takes the sort of chances that Saunders does is rarely as much fun as his is. Even when he is subverting convention, letting the reader know throughout that there is an authorial presence pulling the strings, that these characters and their lives don't exist beyond words, he seduces the reader with his warmth, humor and storytelling command. And these are very much stories of these times, filled with economic struggles and class envy, with war and its effects, with drugs that serve as a substitute for deeper emotions (like love) and perhaps a cure (at least temporary) for what one of the stories calls "a sort of vast existential nausea." On the surface, many of these stories are genre exercises. "Escape from Spiderhead" has all the trappings of science fiction, yet culminates in a profound meditation on free will and personal responsibility. One story is cast as a manager's memo; another takes the form of a very strange diary. Perhaps the funniest and potentially the grimmest is "Home," which is sort of a Raymond Carver working-class gothic send-up. A veteran returns home from war, likely suffering from post-traumatic stress. His foulmouthed mother and her new boyfriend are on the verge of eviction. His wife and family are now shacking up with a new guy. His sister has crossed the class divide. Things aren't likely to end well. The opening story, "Victory Lap," conjures a provisional, conditional reality, based on choices of the author and his characters. "Is life fun or scary?" it asks. "Are people good or bad?" The closing title story, the most ambitious here, has already been anthologized in a couple of "best of" annuals: It moves between the consciousness of a young boy and an older man, who develop a lifesaving relationship. Nobody writes quite like Saunders.

      COPYRIGHT(2012) Kirkus Reviews, ALL RIGHTS RESERVED.

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