Starred review from July 21, 2008
Rees’s (Witch Child
) evocative writing will once again sweep readers back in time to meet another of her iron-willed protagonists, Sovay, who is fashioned after the heroine of a traditional British ballad. Raised in the English countryside during the French Revolution, 17-year-old Sovay embarks on a mission to find her missing father and brother, who’ve been condemned for supporting the Revolution. Her search takes her to dangerous corners of London and Paris, where she plays the roles of highway robber, spy and socialite to gather clues and outwit a treacherous villain who desires to overthrow Britain’s throne. History buffs will relish detailed descriptions of period dress, inventions and architecture sprinkled throughout the novel, but may be most intrigued by the author’s insight into France’s shift of power after the storming of the Bastille. Capturing the romantic, dramatic flavor of late-18th-century prose (“However much she fought against it, a sense of menace, vague, but all-pervading, began to seep into her soul”) without compromising the complexity of her characters, the author creates a suspenseful tale of political intrigue and class struggle. Ages 12–up.
October 1, 2008
Gr 9 Up-It's 1794, and the revolution in France is threatening to spill across the channel into England, where Sovay, the beautiful 17-year-old daughter of a gentleman, turns to holding up carriages while in disguise to break her boredom. Then her father disappears and is charged with treason, and, with the persuasion of the notorious highwayman Captain Greenwood and the American Virgil Barrett, she becomes embroiled in the political issues of the day, eventually traveling to Paris during the final days of the Reign of Terror. Rees develops strong (and frequently mysterious) characters to carry this historical novel. The vivid sense of place, especially in France, will cause readers to experience the French Revolution on a personal level. Ultimately, the epitome of evil is not Robespierre or his underlings, but the crowds of ordinary citizens who accept the horrors without flinching. Unfortunately, these strengths are undermined by troubles with the plot. Reference to "The Highwayman" that opens the book serves no purpose in the overall story except to introduce Greenwood and display Sovay's courage. The historical events are not fully fleshed out, and readers unfamiliar with the Reign of Terror are offered no explanatory notes or afterword. Two possible love interests for Sovay are trumped in the last 100 pages by a third character, and readers may be frustrated with the neat ending."Melissa Moore, Union University Library, Jackson, TN"
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