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Evening Is the Whole Day

A Novel

ebook
1 of 1 copy available
1 of 1 copy available
A “psychologically acute and boldly plotted” tale of a wealthy, dysfunctional family in Malaysia (Booklist, starred review).
Set in Malaysia, this internationally acclaimed debut novel offers an unflinching look at relationships between parents and children, brothers and sisters, the wealthy and poor, a country and its citizens—all through the eyes of the prosperous Rajasekharan family.
 
When Chellam, the family’s rubber-plantation-bred servant girl, is dismissed for unnamed crimes, her banishment is the latest in a series of losses that have shaken six-year-old Aasha’s life. A few weeks before, Aasha’s grandmother Paati passed away under mysterious circumstances and her older sister, Uma, departed for Columbia University—leaving Aasha to cope with her mostly absent father, bitter mother, and imperturbable older brother.
 
Moving backward and forward in time, Evening Is the Whole Day explores the closely guarded secrets that haunt the Rajasekharans: What was Chellam’s unforgivable crime? Why was Uma so intent on leaving? What did Aasha see? And, underscoring all of these mysteries: What ultimately became of her father’s once-grand dreams for his family and his country?
 
“A delicious first novel . . . [Samarasan’s] ambitious, spiraling plot, her richly embroidered prose, her sense of place, and her psychological acuity are stunning.” —The New York Times Book Review
 
“A surpassingly wise and beautiful debut novel about the tragic consequences of the inability to love.” —Booklist, starred review
 
“The language bursts with energy.” —Publishers Weekly
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    • Publisher's Weekly

      April 28, 2008
      Set on the outskirts of Ipoh in Malaysia, Samarasan's impressive debut chronicles another bad year in the Big House on Kingfisher Lane. With the death of Paati, the grandmother, and the disgraceful departure of Chellam, the family's servant girl, the wealthy Rajasekharan family is in shambles. Skillfully jumping from one consciousness to another, Samarasan moves back in time to reveal the secrets that have led to the family's unraveling. Father Raju's dreams have been stifled by his unrealized political ambitions, and his home life is no consolation. Vasanthi, his wife, bristles at reminders of her lower-class roots and wouldn't mind seeing Uma, their oldest daughter, \x93destroyed by an endless string of disappointments.\x94 Uma all but disconnects herself from the family in anticipation of escaping to Columbia University, and her six-year-old sister, Aasha, whose desire to recapture Uma's love is a primary focus of the book, must settle for interactions with a ghost only she can see. There's little familial tenderness, and the few instances of compassion displayed (by Raju's visiting brother) are mistaken as perverse. Though the narrative is occasionally unwieldy or claustrophobic, the language bursts with energy, and Samarasan has a sure hand juggling so many distinct characters.

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  • English

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