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The Last Magazine

A Novel

Audiobook
1 of 1 copy available
1 of 1 copy available

A posthumous debut novel—wry, wise, and outrageous—from award-winning journalist Michael Hastings, based on his experiences working for Newsweek

The year is 2002. Weekly news magazines dominate the political agenda in New York and Washington. A young journalist named Michael M. Hastings is an intern at the Magazine, wet behind the ears, the only one in the office who has actually read his coworkers' books. He will stop at nothing to turn his internship into a full-time position and has figured out just who to impress: Nishant Patel, the international editor, and Sanders Berman, managing editor—both vying for the job of editor-in-chief. While Berman and Nishant try to one-up each other pontificating on cable news, A. E. Peoria—the one reporter seemingly doing any work—is having a career crisis. He has just returned from Chad, where instead of reporting on the genocide, he was told by his editors to focus on mobile-phone outsourcing, as it's more relevant. Then suddenly, the United States invades Iraq—and all hell breaks loose.

As Hastings loses his na├»vet├® about the journalism game, he must choose where his loyalties lie: with the men at the Magazine who can advance his career or with his friend in the field who is reporting the truth.

The Last Magazine is the debut novel from Michael Hastings, discovered in his files after his death in June 2013. Based on Hastings' own experiences, it is funny, sharp, and fast-paced, a great book about the news game's final days in the tradition of Evelyn Waugh's Scoop, Hunter S. Thompson's The Rum Diary, and Calvin Trillin's Floater.

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    • Publisher's Weekly

      April 21, 2014
      Hastings, the late journalist whose 2010 Rolling Stone profile derailed the military career of Gen. Stanley McChrystal, writes about what he knew best—the world of news magazine publishing—in this posthumously published first novel. In 2002, a fictional Michael Hastings is interning at the weekly Magazine (read Newsweek, where the real Hastings once worked), where he bonds with burnt-out foreign correspondent A.E. Peoria. He also becomes involved with an upstart media website, Wretched.com, which calls print journalists “dead tree-ers.” But Hastings is such a passive character that readers may be drawn more to Peoria, who is forced to go on hiatus after an article he writes causes a riot in Iraq. Teaching journalism, he becomes involved with one of his students, a transsexual named Justina with an incredible backstory. Taking place roughly from the second Iraq War to Hurricane Katrina, this novel tries to recreate the last time that print magazines actually mattered. But without a strong protagonist, the novel suffers, especially in comparison to Tom Rachman’s far superior The Imperfectionists. Still, there is enough here to suggest that had Hastings not died in an auto crash in 2013, he would have mastered the novel form as well as he did journalism.

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  • English

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