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Only Stars Know the Meaning of Space

A Literary Mixtape

Audiobook
1 of 1 copy available
1 of 1 copy available
In this "absolute marvel of a book" (Dinaw Mengestu, author of Someone Like Us), acclaimed author Remy Ngamije offers up a vibrant collection of award-winning short fiction.
Presented as a literary mixtape, Only Stars Know the Meaning of Space is a work that provides you with a uniquely modern reading experience. The A-Side, read as one narrative, tells the story of a soon-to-be thirty-year-old aspiring writer navigating a complicated world. The B-Side, taken as a separate experience, features (seemingly) independent and unrelated short stories.

There's "Crunchy, Green Apples (or, Omo)", a story about loss told by the strangest of narrative devices: a shopping list. "Sofa, So Good, Sort Of (or, John Muafangejo)" is a first-person account of a family's history and a long journey towards hope. A group of friends attempts to navigate a recent breakup in "From the Lost City of Hurtlantis to the Streets of Helldorado (or, Franco)."

When read together, however, a third world emerges—a complex, intergenerational, and interconnected "journey across all genres" (Mukoma Wa Ngugi, author of Unbury Our Dead with Song) that will stay with you long after you turn the final page.
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    • Publisher's Weekly

      October 28, 2024
      Ngamije (The Eternal Audience of One) serves up an occasionally dazzling but ultimately diffuse collection about the woes of a 20-something novelist. It’s framed as a “literary mixtape” and arranged by alternating A-side and B-side stories (the former comprise a linked narrative while the latter each stand alone). The unnamed novelist reflects in “Crunchy Green Apples” on how he grew apart from his mother as he entered into a “tribe called cool.” “The Sage of the Six Paths (Or, The Life and Times of the Five Os)” covers his teen years, as he gets into trouble with his fast-moving and mischievous friend group before finding “another way of being” through literature. In “The Hope, the Prayer, and the Anthem (Or, The Fall So Far),” he considers his elusive dreams for “a modern house,” “a wife,” and an “acclaimed novel.” B-Side tales include “Wicked,” narrated by a woman who feels a “selfish hope” that her married lover won’t leave her. Ngamije turns heads with his clever and energetic wordplay (the novelist’s promiscuous milieu is prone to “souped-up STI Golfs revving from gonorrhea to HIV in sex seconds flat”), but the structure is a bit confusing, leaving readers who remember mix tapes to wonder why the A-side and B-side tracks are alternated, and the conceit feels more gimmicky than essential. Ngamije has done better. Agent: Cecile Barendsma, CBL Agency.

    • AudioFile Magazine
      The collected voices featured here have an emotional power that's funny, shocking, and heartbreaking as they provide an absorbing look at contemporary Namibian life. Loosely threaded together into "A" and "B" sides, like a mixtape, the material has a natural rhythm. Anthony Oseyemi portrays the brash writer-on-the-make voice of the "A-side," which recounts how his dreams of becoming a successful writer were confounded by his struggles with women. The "B-side" provides the compelling backbone to the audiobook's themes of growth and survival. Aaron Goodson's voice is reflective as he recounts the violence he encountered and the sadness behind his family's choices. Dennis Kleinman delivers a chilling section on the spectre of war. Janina Edwards provides an effective counterweight to the men's performances as her voice elevates the audiobook's overall impact. S.P.C. © AudioFile 2025, Portland, Maine

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  • English

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