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About Uncle

ebook
1 of 1 copy available
1 of 1 copy available

A freaky tale of isolation and the porous membranes between us, Rebecca Gisler's slim novel renders a collapsing world with equal parts aversion, fascination, and tenderness—for readers of Ottessa Moshfegh and Sayaka Murata.

At a time when she'd rather be making her own way in the world, an unnamed young woman finds herself moving to a small town at the seaside to care for her uncle. He's a disabled veteran with questionable habits, prone to drinking, gorging, and hoarding—not to mention the occasional excursion down into the plumbing, where he might disappear for days at a time. When the world begins to shut down, Uncle and his niece are forced even closer still. She knows his every move—every bathroom break he takes, every pill he swallows—and she finds herself relying on this man who is the last one person occupying an empty world with her. But then Uncle's health takes a final turn for the worse, he's sent to a hospital that cares for cats, dogs, and Uncles, and any way for her to make sense of this eerie new reality, and her place in it, falls apart.


Poet-novelist Rebecca Gisler's debut novel, set against our increasingly disjointed world, welcomes readers into a home of shut-ins as cozy as it is claustrophobic. Gisler's bright, winding prose, masterfully translated from French by Jordan Stump, offers a rare witness to the complex ways in which we order our lives, for better or worse, inside and out.
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    • Publisher's Weekly

      December 4, 2023
      Gisler’s droll and occasionally disturbing debut features an unlikely trio holed up in a French coastal village in 2020. An unnamed 20-something brother and sister move into the family’s vacation home, which is already occupied by their eccentric uncle. The sister, who narrates, describes them as a band of “involuntary housemates, or a commune of idlers.” Then the pandemic hits, and they’re stuck together. Uncle, as the narrator calls him, is filthy, fat, bald, and prone to reminiscing about his glory days in the Army and his 1980s heavy metal fandom. His other activities include motoring around on a moped and waging war against neighborhood moles. When he’s diagnosed with a pulmonary embolism, the narrator and her brother, who both make a living writing copy for a pet food website, are tasked with trying to tame Uncle during his course of anticoagulants. Gisler fills each page with breathless and winding sentences that infectiously convey the narrator’s exasperation with Uncle, who acts as a deliciously disgusting foil, spitting when he eats, peeing in bottles, and forever shuffling around the house in dirty sweatpants. It’s a cockeyed yet authentic depiction of the relentlessness of family obligations.

    • Kirkus

      February 1, 2024
      A poet's first novel tackles the member of your family you never really know. Swiss author Gisler's first novel, translated from the French by Stump, is a case study of "Uncle," the odd brother of the narrator's mother. He's an antisocial veteran turned vegetable peeler in the kitchen of the local nunnery. He has a scarecrow effigy of his dead father and carries a pendulum everywhere he goes. He has no friends and no involvement with any other people--until the narrator and her brother come to stay at his house by the sea and get swept up into his domestic rhythms. What they observe defies easy explanation--for one thing, he can disappear into the plumbing. Gisler's long, winding sentences depict the delicate dance between a peculiar man and the young adults who are forced to handle him: "My brother was sick of finding the toilet covered in shit every morning, and he told Uncle You're not a dog, right, and Uncle didn't answer, he was standing in ballerina position in the yard." Indeed, Uncle straddles the line between human and animal, which becomes abundantly clear when he gets sick and must be taken to a hospital that treats animals and, well, uncles. His hospitalization is just the beginning of a series of alarming discoveries through which Gisler asks if we can ever really know the people in our families. Perhaps acceptance doesn't require understanding--when Uncle gets in the mud, we pull up our pants legs and join him. Gisler uses the domestic scene to capture a family member turning feral.

      COPYRIGHT(2024) Kirkus Reviews, ALL RIGHTS RESERVED.

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