Starred review from January 27, 2003
Elvis lives! Elvis Cole that is, Crais's iconoclastic, smart-aleck L.A. PI, last seen in Indigo Slam
(1997). Violent and action-packed, this eighth book in the series has less of Cole's usual wisecracking but all the intensity and convoluted plotting of his two recent stand-alone thrillers, Demolition Angel
(2000) and Hostage
(2001). Cole is babysitting Ben, the 10-year-old son of his lawyer lover, Lucy Chenier, when the boy is kidnapped. As Cole and his super-tough, enigmatic pal, Joe Pike, join the police in the search for Ben, Lucy's obnoxious ex-husband, Richard, arrives from New Orleans with his own investigators. At first, the kidnappers imply they're seeking revenge for atrocities Cole committed in Vietnam. Several powerful, beautifully written flashbacks to Cole's horrendous Nam experiences and his troubled childhood follow. The narrative switches between Cole's vivid first-person point-of-view and a third-person account of a brave, frightened Ben and his savage captors. As the kidnappers' deadline nears and disturbing motives surface, the suspense becomes almost unbearable. The terrible, heartstopping climax is so well written that time seems to stop. Crais combines the thriller and private eye genres into a dazzling novel that is far more accomplished than the sum of its parts. Agent, Aaron Priest. (Feb. 18)Forecast:A 10-city author tour, plus media appearances including
The
Today Show, should help this one reach the same numbers as those for
Demolition Angel and
Hostage, both under development as films. At the same time, some fans may be dismayed by Elvis Cole's Hollywoodization.
April 1, 2002
Elvis is alive and wellDnot the singer but the detective, Elvis Cole, who has teamed up with Jack Pike in eight of Crais's ten works. Pike got a workout in L.A. Requiem, so now it is Elvis's turn: dark secrets emerge when his girlfriend's son disappears.
Copyright 2002 Library Journal, LLC Used with permission.
Starred review from April 7, 2003
After two bestselling stand-alone novels (Demolition Angel
and Hostage), Crais has returned to his popular Elvis Cole series with a thrilling action-adventure yarn. The private eye's eighth and last crusade against evil, L.A. Requiem, explored the events, from childhood on, that turned his sidekick, Joe Pike, into a hardened killing machine (albeit a moral one). Now it's Elvis's turn to be analyzed, as he tries to rescue his beloved Lucy Chenier's son, Ben, whose kidnapping by ruthless mercenaries apparently was prompted by something in the sleuth's past. With its relentless pacing, large cast, flashbacks to Elvis's unhappy youth and war experiences and constant shifting from first- to third-person narration, the book poses significant problems for an audio interpreter. Daniels, one of the format's prime performers, has given voice to Elvis and Joe before, on the less complex Lullaby Town
and Free Fall
(both Brilliance titles). He takes the present challenge in stride, using his own voice for the Elvis-narrated sections and an appropriate just-the-facts approach to the straightforward sentences in the third person passages. Just as deftly, he distinguishes the cultured Lucy from the rougher-edged policewoman Carole Starkey (the author's Demolition Angel
in a surprise cameo); finds an assortment of Louisiana accents for Lucy's ex-husband and his bayou crew; and, most stirringly, treats Pike to a hardboiled whisper Clint Eastwood might mistake for his own. Crais is notoriously protective of his Elvis novels, reputedly rejecting the wealth of Hollywood rather than trust others with his creations. He's got nothing to worry about here. Simultaneous release with the Doubleday hardcover (Forecasts, Jan. 27).