February 17, 2014
The latest from St. Aubyn (the Patrick Melrose novels) marks a departure from his previous work. This comedic novel chronicles a year in the life of the Elysium Prize, a fictional Booker-like British literary award. The Elysium is mired in scandal and incompetence from the get-go: the underwriting funds come from a dubious agribusiness conglomerate, the judging panel is marginally qualified, and the process of selecting a shortlist is more about alliances and favors than quality. St. Aubyn inserts some amusing parodies in the early part of the novel, including selections from wot u starin at, a crude Scottish drug novel, as well as All the World’s a Stage, a dense historical work about Shakespeare. These surveyings of the terrain of Irvine Welsh, Hilary Mantel, and others are among the novel’s highlights. In addition to following the judges, St. Aubyn devotes chapters to several would-be nominees. Katherine is a rising literary star whose publisher accidentally submits a cookbook instead of her latest manuscript; Sonny is an Indian prince who takes the slighting of his self-published opus, The Mulberry Elephant, as a grave personal affront. St. Aubyn is clearly having fun with this material, and the book is breezy and propulsive. Still, the satire isn’t particularly deep, and none of the many characters in this short novel are featured long enough to make a lasting impression. A modest entertainment from a writer whose output had hitherto been uniformly exceptional.
March 15, 2014
And now for something completely different: a broad farce from a British novelist renowned for his literary subtlety and command of tone. Having finished his five-volume series of autobiographical Patrick Melrose novels (At Last, 2012, etc.), which have been hailed as one of the foremost achievements of modern literature, what could St. Aubyn do for an encore? Though a lethal sense of humor has been crucial to his skewering of the British upper classes, here he exchanges the darkness of hell and redemption among the coldhearted aristocracy for a laugh-out-loud sendup of literary prizes. Instead of the Man Booker, Britain's most prestigious award is the Elysian Prize for Literature, determined by one well-meaning academic and a motley assortment of philistines, sponsored by a "highly innovative but controversial agricultural company" whose chief critics are environmentalists "claiming that [its products] caused cancer, disrupted the food chain, destroyed bee populations, or turned cattle into cannibals." The judges for the prize generally have hidden (or not so hidden) agendas that don't require them to actually read the books, and one doesn't even bother to attend their deliberative sessions (he's an actor on tour with "a hip-hop adaptation of Waiting for Godot"). The plot pivots around the promiscuity of a nubile novelist who has "averaged twenty lovers a year since she was sixteen" and who is in the process of juggling three or more through most of the narrative. Both the author and the reader have great fun with this, as the virtuosic novelist provides excerpts from nominated works, including a historical novel about William Shakespeare, a pulp page-turner and a scabrous (and hilarious) spew that the highest-minded judge dismisses as "sub-Irvine Welsh." Through preposterous plot machinations, a cookbook of traditional Indian recipes is mistakenly submitted as fiction and becomes an unlikely contender, "operating as the boldest metafictional performance of our time." The madcap climax involves an assassination plot and a stuck elevator at the awards banquet before surprisingly resolving itself with a (tentative) happy ending. Like a long Monty Python sketch.
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February 15, 2014
As literary awards go, there couldn't be a more unlikely collection of judges, authors, publishers, and publicists than the one assembled for the Elysian Prize, a fiction award standing in for the real-life Man Booker Prize. The committee, chaired by former MP Malcolm Craig and made up of a self-important group of writers, academics, and actors, set themselves the task of finding works of fiction with social relevance, geographic representation, and political correctness. With no intention of actually reading most of the cringe-worthy submissions, each member champions the one book he or she has glanced at, the most improbable of which is The Palace Cookbook, an assemblage of recipes and anecdotes from India submitted accidentally by a careless publisher instead of the serious novel that should have been sent. The fun begins when the delusional nephew of the cookbook author sets out for murderous revenge after his own self-published tome has been overlooked. VERDICT For anyone who wonders about the process of judging literary awards, this fast and funny lark from the author of the notable Patrick Melrose novels may shed some comedic light. [See Prepub Alert, 12/7/13.]--Barbara Love, Kingston Frontenac P.L., Ont.
Copyright 2014 Library Journal, LLC Used with permission.
April 1, 2014
Malcolm Craig becomes chair of the board awarding his country's top literary honor, the Elysian Prize. In describing what ensues, noted British novelist St. Aubyn takes on the publishing industry and the horse-trading and ax-grinding among authors, critics, and hangers-on surrounding such awards, including the popular (and promiscuous) Katherine Burns, whose novel is overlooked in favor of a cookbook mistakenly sent for consideration by its publisher; interpreted by some as a new form of modern fiction, it makes the short list. Not wanting to read much himself, Craig is joined by judges Jo Cross (whose major criterion is relevance ), Vanessa Shaw ( good writing ), Penny Feathers (former mistress of the elderly corporate sponsor), and actor Tobias Benedict. Young writers were the future, Craig muses, or would be if they were still around and being published. As a novel about the ephemeral nature of book awards, Lost for Words may itself be ephemeral, but along the way, St. Aubyn offers a hearty satire, full of laughs and groans, with snippets from the candidates, including the novel wot u starin at, an unsparing look at Glasgow low life, which bookies (the gambling kind) make the favorite.(Reprinted with permission of Booklist, copyright 2014, American Library Association.)