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Chipped

Writing from a Skateboarder's Lens

Audiobook
1 of 1 copy available
1 of 1 copy available
Chipping a board is a natural part of skateboarding. Novice or pro, you'll see folks riding chipped boards as symbols of their stubborn dedication toward a deck, a toy, and aging bodies that will also reach their inevitable end.
In Chipped, José Vadi personalizes and expands upon this symbol. Written after finishing his debut collection Inter State, Vadi used these essays to explore his own empathy in aging, and to elaborate on the impact skateboarding has had on culture, power, and art. From tracing a critical mass skater takeover of San Francisco's streets, to an analysis of visceral '90s skate videos and soundtracks, to the solace found skating a parking lot during a global pandemic, Vadi expands our understanding of the ways skateboarding can alter one's life.
Vadi acts as a "ethnographer on a skateboard," writing, living, and animating an object, likening the board and skate ephemera to the fear of being discarded, wanting to be seen as useful, functional, living. These essays analyze the legacy of seminal texts like Thrasher magazine, influential programming giants like MTV, and skateboard artists. Chipped is an intimate, genre-pushing meditation on skateboarding and the reasons we continue to get up after every fall life throws our way.
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    • Publisher's Weekly

      Starred review from February 19, 2024
      In this pensive collection, essayist Vadi (Inter State) meditates on “how skateboarding gave me a new lens to see my world and myself differently.” In the eponymous essay, whose title refers to the small pieces of board that break off during a ride, Vadi discusses how “the older I get the more I empathize with those chipped boards I had as kid... wanting to still be seen as useful.” “Wild in the Streets” expounds on the sense of community Vadi felt attending a 2007 Fourth of July skating event in which boarders took over San Francisco’s Embarcadero: “It was another night of trying to synchronize ourselves to a city’s rhythm for the opportunity to collectively bear witness to everything a city can create.” Drawing parallels between skating and jazz, Vadi suggests in “King Shit (or Can a King Be a King?)” that both elicit disciplined obsession from practitioners and come alive through performance. Elsewhere, Vadi serves up an ode to VHS skate demos and recounts taking up poetry “to describe the feeling skating gave me,” honing his spoken word skills by watching mixtapes of poetry slams similar to the demos from which he learned new skating tricks. The rhapsodic prose shines, and Vadi’s passion will hold the attention even of readers who know little about the sport. It’s a ride well worth taking.

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  • OverDrive Listen audiobook

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  • English

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